Besides exit polling, Edison provides strategic polling data for radio stations all over North America. Given that their listener base can be jeopardized by Podcasting, you can understand why radio stations are keen to understanding who’s listening to Podcasts, and why they are listening to them.

Here are some of the highlights from the Edison report:

• 43% of Americans have an awareness of podcasting.

• One in four Americans indicated that they have downloaded and watched/listened to an audio or video podcast.

• The number one reason given for podcast consumption was time-shifting — the ability to consume content whenever the consumer desires.

• Podcast consumers continue to be attractive advertising targets; yet are increasingly unreachable through traditional, interrupt advertising.

The upshot?

As a business, if you’re not podcasting you’re missing out on a tremendous targeted advertising medium. The fact is, traditional advertising is becoming less effective at reaching a burgeoning consumer base; busy people. People working 50, 60, or 70 hours a week (read: people who are making more disposable income) have fewer and fewer opportunities to listen and watch traditional, interruptible media like radio shows, television programming, etc..

Even if you have “traditional” advertising methods like broadcast radio, television, or print, podcasting is a lower-cost medium that is definitely worth looking at. The cost of production is lower because traditional broadcast standards (dimensions, time, duplication, etc.) do not apply. The cost of media placement is almost non-existent. The most important and often challenging aspect of podcasting is promotion. However, if your business has a website and takes advantage of social networking sites like facebook, myspace, twitter, etc. you have a built-in promotional base.

Podcasting, much like this email, eliminates the distribution and speed limitations of traditional media. You can be “on the air” after a brief editing session and your content is easily consumed all over the world. Broadcast radio or print media cannot offer you that.

More importantly to your busy potential customer, podcasting is something they can consume on their schedule. Your sales message is not languishing just because the target audience is not seated in front of the TV set or listening to the radio exactly when you ad airs.

Applicability.

Finally and most importantly is what we’ve come to term, “applicability.” Applicability refers to an ad’s ability to apply to the people that see or hear it. I’ve been monitoring applicability lately. While watching TV I’ve been counting the number of ads I see for products or services I’ve actually bought or consumed in the past 12 months.

What percentage of TV and radio ads do you think I’ve consumed in the past year? 50%? 80%? 85%?

Try less than 12%. That’s right, less than 1 in 8 ads.

Am I typical? Maybe not, but I may be typical, and for your business, that would be wastefully typical. In either event, the ads on TV simply are not that applicable to me, and I’m right-smack in the middle of the target audience most TV advertisers are going for.

Now, with podcasting – where the audience is generated by sharing the link among people who are part of your social network and current referral network – you have a much greater rate of applicability. Also, as the content is spread, it’s preserved in a digital format so the audience can go back and listen to it repeatedly, they can pause it, re-play it, save it, email it, and your audience can distribute your message for you all over the world at no cost to you.

How do we start podcasting?

If you’re interested in producing a podcast, August Hour has several options available including audio-only, video and audio podcasts, or podcasts featuring music and talk programming. In addition to our professional recording studio – Guttersnipe Recording Co. -, we have a solid group of professional voice-over and on-camera talent available to really bring that polish to your podcast.

The Next American Dream - poster

The film is set to air nationwide in April 2009 . We’re honored to be working on this project with the great folks at Inland Sea Productions and Take 2 in Kansas City. The topic, urban planning and development, sustainability, and human scale architecture is very important to us.

Every scoring project poses new creative challenges. For this one it’s conveying the sense of humanity while thinking about the sound of America’s future development.

The most exciting part of this project is that it’s part of a program of community planning throughout the nation sponsored by several organizations. The film marks the starting point to exploring how we live in our country in the future. To be a part of the dialog that may prime a discussion of how we live in our built environment is humbling and exciting at the same time.

As more information comes available we’ll be sure to keep you updated. For now, you can click the link above to view the trailer for the film.

Meanwhile you can visit the recording studio and take a look around here:

guttersnipe recording co.

Here are a couple of links to the video:

For High-quality Quicktime Video (36meg) click here.
For a slightly lesser quality, FLASH video (18meg) click here.

To the inevitable questions:

What’s it all about?
Often in this business of creative work, people will overlook quality for expense. And by that I don’t mean they’ll take lower quality for less money. Quite the contrary; people will often settle for lower quality as long as it costs more. I used to say, “yeah, they don’t really do good work, but they have a really expensive coffee maker in the lobby.”

Well, the coffee maker doesn’t shoot in HD, it doesn’t score your film, it doesn’t design your brochure, and while a San Marco in the hands of a competent barista may spit out wonderful crema, it sure isn’t going to spit out great ideas.

We’ve always had this little coffee maker around the studio. You see them a lot in vietnamese restaurants. They make really good coffee and they only cost about five bucks. But they only work if you are patient and if you expect something different than you get with the million-dollar coffee maker.

Who did that amazing drawing?
The drawing was done by the lead actress, juj. Our chief designer and associate configuration coordinator.

Do you really use coffee for paint?
All the time. And barbecue sauce, and berries, and mushrooms, and actual paints too.

Who did the music?
I (John) wrote and performed the score. It was recorded here in the studio.

Why is it in 6/8? (IS it in 6/8?)
The music is composed and played for 6/8 because the coffee drops fall into the glass in 6/8. Some have said the song is in 3/4 or a classic waltz. It’s actually a slow 6/8. It’s not just about the beat and tempo as some might think. The time signature is also about the bar phrasing of the melody. And isn’t the point that there are no rules?